Sirens
A 25-minute piece inspired by the legend of the Sirens, combining original texts, choreography and music. It features a live flute interacting with rhythm, aiming to create new relationships among music, language, and the body.
The work seeks to reinterpret ancient myths and highlight modern-day Sirens—women whose wisdom and identities have been marginalized. Drawing from sources like Plato’s “Eight Singing Sirens” and Aby Warburg’s insights, the piece presents a critical analysis of contemporary communication and political issues.
The music combines electronic, industrial, and celestial elements, encouraging observation and participation while exploring themes of temptation and what it means to be human in a world influenced by technology.
The Sirens, often demonized for evoking desire, symbolize the complexities of female identity and cultural heritage. The piece calls for reflection, forgiveness, and collaboration to sustain cultural legacies aligned with the Sirens’ song.
Sirens has been invited to China, with a research scholarship from the Goethe Institut in 2024 where it was further extended to the show Sirens - Songs Of Foreign Shores. Llewellyn was scholarship holder of the Malkowski stipend from Akademie Der Schönen Künste in 2025 where she finalised her performance Sirens- Song Of Foreign Shores and worked on her new music composition Armament of Notes.
In 2024 she found the collective Riccardo Moebius. They received a FOND DAKU & Flausen funding and had a residency at META theatre with a showing of their research project. Richard Moebius investigates in night trains across Europe. Taking the compartment as a rehearsal space, pushing the artistic boarders but and the boarders of countries to new discoveries. They have created an archive of videos of strangers and themselves in trains and on platforms, seeking out new layers of time and reality.
In 2025 they where invited to do a residency at Staatstheater Mainz, with a showing called „Identity Is The Crisis, Cant You See“ & „MorgenGrauen“ was created for META Theatre.
In 2026 Riccardo Moebius has received fundings from the Kongresshalle Nuernberg, Sparkasse and Freie Szene Stadt Nuernberg. They are creating a new production for the Kongresshalle in 2027.
In 2026 she created her new solo performance Amygdala Her Rage which was developed during a residency at L’Aria by the ACCR on Corsica.
She started working with Christiane Huber, for a performance in August 2026 called POOL PEOPLE, and a show in January 2027 called COSMO.
Her performance Sirens was also shown at Grolman Galerie Berlin and will be further presented at Kunstbunker Bochum in October and the club B-Side in Münster for a curated festival by Hanni-Isabell Barfuss called Furtherrr